The opening ceremony of the 2024 Summer Olympics, held for the third time in 100 years in Paris, the capital of France, was held on July 26 on the Seine River. For the first time in the history of the Olympic Games, an opening ceremony was held in the city center outside the stadium.
2024 Summer OlympicsThe opening ceremony of the 26th of July sparked controversy due to some performances. The ceremony attracted attention as an event where not only sports but also global ideologies and symbols were showcased. In particular, a show performed by LGBT artists, disrespect for religious values was criticized for what he did.
Marie AntoinetteFrom the severed head of Leonardo da Vinci’s famous work “The Last Supper”A modern interpretation of John Lennon’s “Imagine” Symbolic elements ranging from the song “Who’s Who?” to “Who’s Who?” presented a wide range of messages, from France’s cultural heritage to the depths of international politics.
One scene shown at the ceremony referenced the French Revolution, with figures holding the severed head of Marie Antoinette. Although the French Revolution is generally seen as a victory over the monarchy and the church, some viewers interpreted the scene as a symbol of the rise of secret societies (Freemasons and the Rosicrucians) as a celebration of the role they played in overthrowing the monarchy and the church.
Criticized by Christians Worldwide
A performance featuring French singer Philippe Katerine, featuring the famous work of Italian painter Leonardo da Vinci “The Last Supper”This performance was criticized by Christian groups around the world.
The French Catholic Church also attended the opening ceremony “Moments when Christianity was mocked” reacted by stating that it was. The artistic director of the ceremony Thomas Jolly The choreography does not target any particular group, “inclusiveness” He claimed that he gave the message.
Jolly, “We wanted to embrace everyone, it’s that simple. In France we have artistic freedom and the right to create. I didn’t try to convey a specific message with this performance,” he said and added: “In France, there is a republic, we have the right to love and worship who we want. I wanted to emphasize these rights.”
Paris 2024 spokesperson Anne Descamps made a statement to the press on July 28, “We certainly had no intention of disrespecting any faith group.” saying, “If such a perception has been created, we apologize,” He spoke as follows.
“Immorality” Criticism from President Recep Tayyip Erdoğan
President Recep Tayyip Erdoganperforming at the opening ceremony of the 2024 Summer Olympics in Paris “immorality” He reacted strongly, describing it as “the Justice and Development Party’s (AKP) extended provincial chairmen’s meeting”. Speaking at the Justice and Development Party’s (AKP) extended provincial chairmen’s meeting, Erdoğan said that the ceremony “perversion and desexualization project” defined as.
Erdogan, “The immorality that was staged has once again revealed the extent of the threat we face,” he said and the person at the show in Paris “A project to pull down even animals” He stated that it was.
Erdogan, Olympics “They have been used as instruments for perversion that corrupts human nature, corrupts the family, and threatens the safety and survival of generations.” emphasized. Also, this “disgraceful scene” He stated that it offended not only the Catholic and Christian world but also Turkey. Erdoğan also mentioned that a French athlete could not attend the opening with her headscarf and said that this situation was “freedom” He stated that he questioned his understanding.
The Presidency of Religious Affairs also issued a statement criticizing the ceremony, saying: “The deliberately highlighted paedophilia and LGBT elements at the 2024 Olympics opening ceremony in France have clearly revealed the ugly face of global corruption centres,” He used the expressions. Diyanet, the human “No understanding that aims to corrupt the pure nature of humanity, no approach that belittles religious and human values, no activity that encourages immorality can be legitimized by hiding behind the rhetoric of freedom.” He expressed his reaction to the ceremony by stating:
Criticized “The Last Supper” Performance
The performance, which was put on display at the Olympics opening ceremony and claimed to be a mockery of the painting “The Last Supper,” was linked to a different painting by some art historians. Dutch historian Walther Schoonenberg, in a post on the X platform, said that this controversial choreography was actually a work by Dutch painter Jan van Bijlert. “The Feast of the Gods” He suggested that he might have been inspired by his work.
Schoonenberg, van Bijlert, who lived in the 17th century, “The Last Supper” He stated that he may have been inspired by the painting, but that the performance at the opening ceremony did not directly depict Jesus and his apostles.
Schoonenberg also noted that the ring on Apollo’s head in the middle of the table in the painting “The Feast of the Gods” was similar to the halo worn by the artist standing in the middle of the table in the opening ceremony performance. During the performance, Philippe Katerine, who played Dionysus, the Greek god of wine, performed completely painted in blue.
A show was performed in which a male performance artist, who performed in women’s clothing and make-up but kept his beard, walked on a table representing the Last Supper, a sacred tableau for Christianity.
This performance became one of the most talked about topics after the opening night. Elon MuskIn a post he made on the X platform, he shared his performance “It’s extremely disrespectful to Christians.” Da Vinci’s 15th-century painting “The Last Supper” depicts the last meal that Jesus had with his apostles before his crucifixion and is seen as an important symbol by Christians.
The Severed Head of Marie Antoinette, One of the Symbols of the French Revolution
Another notable performance at the opening shows of the 2024 Paris Olympics was that of the French metal band Gojira‘s show. Gojira performed at La Conciergerie, one of the symbols of the French Revolution. During the performance, the windows of this historic building, once part of the royal palace and later used as a prison, were filled with images of people holding their own heads in their hands. Marie Antoinette figures appeared.
French Queen Marie Antoinette, The French Revolution He was tried in this building in 1793 and was convicted of “treason” execution by guillotine This performance of Gojira presented a symbolic narrative associated with the revolution. This scene reminded us of the darker aspects of the French Revolution and the influence of the secret societies that carried out this revolution.
The red color of the performance is known in occultism as a color symbolizing sacrifice, and the celebration of Antoinette’s death was presented as a symbolic victory of the secret elite behind the revolution. The performance depicts the execution of those executed his blood spattered from the windows of the building It ended with a grotesque scene. Gojira also made history as the first metal band to perform at the Olympics.
Symbolic Use and Meaning of the Torch
Torchis considered an important symbol in ancient mythology and various areas of occultism. In Greek mythology, Prometheus’ bringing of fire from the gods to humans symbolizes divine knowledge and light. Masonic In symbolism, the torch is Lucifer’s “light bearer” It represents the role known as the torch and the duty of illuminating the darkness. In this context, the torch-carrying ritual symbolizes the journey of knowledge and enlightenment through the darkness.
The torch ceremony at the 2024 Olympics will take place at the opening The famous Catacombs of ParisIt began with children carrying torches to light their way in the 19th century. These tombs house the remains of more than six million people and have been associated with dark rituals for centuries.
Children walk among walls made of human skulls, a mysterious figure without a face They were guided by. This figure is interpreted as a symbol representing the mysterious and anonymous leaders of the elite, reinforcing the message that the torch symbolizes the transition from darkness to light.
The torch was used in the 2024 Olympics as part of a ritual that symbolizes divine knowledge and enlightenment beyond just a sporting event. This part of the ceremony highlights how the torch has become a powerful symbol in historical and occult contexts, and the role of this meaning in the Olympic opening ceremony.
First appearing on a boat in the catacombs of Paris mysterious torch bearertoured the thematic sections of the opening ceremony. These sections were Fraternite, Sororite, Sportive, Solidarite, Solennite and Eternity. The torchbearer flew over the rooftops of Paris, ziplined across the Seine and walked to the Louvre.
During the parade, when the torchbearer returned to the Louvre Museum, he noticed a large escape hatch in the museum and at that moment discovered that Leonardo da Vinci’s famous work “Mona Lisa” had been stolen. Afterwards, the mysterious torchbearer completed his journey as a representative of the seventh art, handing over his torch to the famous football player Zinedine Zidane.
Cultural Change and Symbolic Meanings
The 2024 Olympics opening ceremony offered an experience beyond just sports, drawing attention with deep cultural and symbolic themes. The ceremony was marked by the deep traditions of France Republican Guard OrchestraThe singer who symbolizes modernity with ı Aya Nakamura presented a contrast between.
Nakamura’s performance highlighted how France’s history and cultural identity has been transformed by globalization. However, the slang language used in Nakamura’s songs has been criticized for representing a degradation of French culture and a globalist culture. The scene symbolized that France’s cultural values were forced to adapt to modern global culture.
In the later parts of the ceremony, scenes that openly attacked the Christian faith attracted attention. In particular, a figure portraying Dionysus, who represents wine, fertility and ritual madness in Greek mythology, gave a lustful performance. This hedonistic and chaotic nature of Dionysus was in clear contrast to Christianity. A little girl on stage was also involved in this performance; this was criticized for containing elements that targeted the innocence of children and were detrimental to social morality.
One of the symbolic narratives of the ceremony was the entrance of a masked figure on a white horse. This is similar to the biblical The Four Horsemen of the ApocalypseIt was interpreted that it could represent Death, one of the . In this scene, the fact that people carrying the flags of the world’s nations follow this horseman was evaluated as a symbol reflecting a global unification and a representation of this order.
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